In describing the collapse of the roof of Manufacturers and Liberal Arts Building, Larson wtires "In a great blur of snow and silvery glass the buildings roof-that marval of late nieteenth-century hubris, enclosing the greatest volume of obstructed space in history--collapsed to the floor below" [p. 196-97]. Was the entire fair, in its extravagant size and cost, an exhibition of arrogance? Do such creative acts automatically engender a darker, destructive prallel? Can Holmes be seen as the natural darker side of the Fair's glory?